{
  "schemaVersion": 1,
  "id": "the-poster-that-came-back",
  "version": "the-poster-that-came-back.3",
  "route": "/essays/the-poster-that-came-back",
  "title": "The poster that came back psychedelic.",
  "question": "What survives if you cover the words?",
  "legacy": {
    "essay": {
      "slug": "the-poster-that-came-back",
      "number": "01",
      "title": "The poster that came back psychedelic.",
      "subtitle": "Mucha, Mouse & Kelley / 1896 → 1966",
      "description": "Follow a figure from Mucha’s JOB to Mouse and Kelley’s concert poster: the borrowed pose, the altered colour, and the library between them.",
      "relationship": "Documented adaptation",
      "scope": "The later poster adapts the figure from JOB. The library account documents a route of discovery; it does not identify the particular book Mouse used.",
      "cover": "job",
      "figures": [
        {
          "key": "job",
          "role": "The earlier advertisement",
          "note": "Alphonse Mucha’s 1896 JOB: cigarette papers, a woman, and a company name repeated through the image."
        },
        {
          "key": "poster",
          "role": "The later adaptation",
          "note": "Mouse and Kelley’s 1966 concert design. This library reproduction shows a third printing, not a verified first-edition impression."
        }
      ],
      "opening": "Start with her hand. The cigarette, lifted towards the face, survives the journey. So do the turned head and extravagant coils of hair. But the name that surrounds her has changed. A figure that once invited a purchase now announces a gathering. Recognition is the beginning of this story; the interesting part is what recognition is asked to do.",
      "observations": [
        {
          "title": "A pose persists",
          "text": "Compare the tilted face, lifted forearm and cigarette. These specific correspondences are more useful than a general impression of an Art Nouveau style."
        },
        {
          "title": "Colour changes the temperature",
          "text": "Golden hair becomes green against a warm red-orange field. The contour is familiar, while the colour relationships make the figure feel newly strange."
        },
        {
          "title": "Lettering changes the invitation",
          "text": "JOB’s large monogram gives way to performers, a venue and dates. Read the image once as a figure, then again as something asking you to act."
        }
      ],
      "sections": [
        {
          "id": "passage",
          "title": "The library is part of the artwork’s afterlife.",
          "kind": "Documented history",
          "paragraphs": [
            "The Phillips Collection’s exhibition text identifies Mucha’s JOB as an 1896 advertisement for cigarette papers and pairs it with the Jim Kweskin Jug Band poster for the Avalon Ballroom concerts of 7–8 October 1966. It includes Mouse’s account of studying poster history in library books and discovering Mucha there.",
            "That account gives the resemblance a documented route: an earlier design, its reproduction in a book, and a later designer looking for ideas. The original print did not have to travel into the studio for its lines to become available to another artist."
          ],
          "sources": [
            "phillips"
          ]
        },
        {
          "id": "looking",
          "title": "The borrowed figure is a structure, not a quotation mark.",
          "kind": "Close reading",
          "paragraphs": [
            "The figure takes up so much of both sheets that she organizes the encounter before the lettering can be read. Hair is unusually important here. It describes a body, but also spills into the space around that body, making a network of curves for the eye to follow. In each image, the boundary between a person and ornament becomes difficult to keep still.",
            "The later poster preserves that visual engine while changing the surrounding divisions. Its upper lettering and lower concert information frame the figure as the centre of an event announcement. In JOB, the company letters are themselves part of the ornamental field. The two designs distribute attention differently even where the contour remains recognizable.",
            "Notice the colour without treating it as a universal code. We can describe the contrast between green hair and an orange-red ground. We cannot recover every concertgoer’s feelings from those hues, or assume that an unfamiliar colour produces the same response in every viewer."
          ]
        },
        {
          "id": "public-life",
          "title": "A different destination for the same seduction.",
          "kind": "Context & interpretation",
          "paragraphs": [
            "Both works are advertisements. The change is therefore more specific than an escape from commerce into freedom: a motif moves between different products, settings and audiences. A borrowed image can retain its ability to attract attention while being recruited for another social occasion.",
            "The pairing invites a question about cultural memory. How much of the earlier advertisement must a viewer recognize for the later image to work? Someone can read the concert information without knowing Mucha. Someone who does recognize the figure encounters an additional layer: the pleasure, surprise or discomfort of seeing an existing image put to work again.",
            "That is our interpretation of the encounter, rather than evidence of a measured public response. The documented result is the adaptation itself. Claims about changes in public attitudes would need contemporary reviews, audience testimony or other reception evidence."
          ],
          "sources": [
            "phillips",
            "georgetown"
          ]
        },
        {
          "id": "versions",
          "title": "A design has editions; a comparison has limits.",
          "kind": "Documented history",
          "paragraphs": [
            "Georgetown identifies its example as a third printing. We use it to examine the composition, while keeping that object history visible. It should not be silently treated as a photograph of a poster on an Avalon Ballroom wall in 1966.",
            "Georgetown links to a JOB record dated 1898. The Mucha Foundation distinguishes the 1896 design from a second, larger JOB poster made in 1898. Our displayed image follows the 1896 identification shared by the Foundation and Phillips. A shared title is not enough to establish that two records describe the same design."
          ],
          "sources": [
            "georgetown",
            "phillips",
            "foundation"
          ]
        }
      ],
      "question": "What survives if you cover the words?",
      "exercise": "Look at the two complete images without reading their lettering. Then read every name and date you can make out. Describe one thing the figure carries across and one thing that only the new text can tell you.",
      "limits": "This is a documented adaptation with an original visual reading. It is not proof that one poster caused a social movement. The concert image is an in-copyright editorial reference; Artologium grants no reuse license for it.",
      "sources": [
        {
          "id": "phillips",
          "title": "The Phillips Collection: Timeless Mucha, exhibition text and checklist (2025)",
          "href": "https://www.phillipscollection.org/sites/default/files/2025-05/timeless-mucha-digital-press-kit.pdf#page=41",
          "supports": "PDF p. 41: JOB’s identification, the later poster and Mouse’s library account. PDF p. 13: poster credit and copyright notice. The museum’s image permission is not an Artologium license."
        },
        {
          "id": "georgetown",
          "title": "Georgetown University Library: Jim Kweskin Jug Band, Avalon Ballroom",
          "href": "https://library.georgetown.edu/exhibition/item/jim-kweskin-jug-band-avalon-ballroom",
          "supports": "Accession 2015.49.7, third printing; source of the displayed 600 × 852 reference. Its linked 1898 JOB record must not be assumed identical to the displayed 1896 design."
        },
        {
          "id": "foundation",
          "title": "Mucha Foundation: Poster for JOB cigarette paper (1896)",
          "href": "https://www.muchafoundation.org/en/gallery/browse-works/object/44",
          "supports": "1896 design identification and distinction from the second JOB design made in 1898."
        },
        {
          "id": "job-image",
          "title": "Wikimedia Commons: JOB",
          "href": "https://commons.wikimedia.org/wiki/File:Mucha-job.jpg",
          "supports": "Source of the displayed JOB reproduction and its public-domain designation."
        }
      ],
      "onward": {
        "label": "Follow another passage: Millet, a photograph, Van Gogh",
        "href": "/afterlives/first-steps"
      }
    }
  },
  "edition": "existing",
  "format": "Visual essay",
  "period": "Mucha, Mouse & Kelley / 1896 → 1966",
  "places": [
    "France",
    "San Francisco"
  ],
  "themes": [
    "Prints"
  ],
  "primaryClaimId": "the-poster-that-came-back-scope",
  "mediaKeys": [
    "journal:job",
    "journal:poster"
  ],
  "entities": [
    {
      "id": "journal-job",
      "name": "JOB",
      "kind": "work",
      "date": "1896",
      "mediaKey": "journal:job",
      "note": "Alphonse Mucha’s 1896 JOB: cigarette papers, a woman, and a company name repeated through the image."
    },
    {
      "id": "journal-poster",
      "name": "Jim Kweskin Jug Band, Avalon Ballroom",
      "kind": "work",
      "date": "1966",
      "mediaKey": "journal:poster",
      "note": "Mouse and Kelley’s 1966 concert design. This library reproduction shows a third printing, not a verified first-edition impression."
    }
  ],
  "claims": [
    {
      "id": "the-poster-that-came-back-scope",
      "text": "The later poster adapts the figure from JOB. The library account documents a route of discovery; it does not identify the particular book Mouse used.",
      "kind": "adaptation",
      "status": "documented",
      "limitation": "This is a documented adaptation with an original visual reading. It is not proof that one poster caused a social movement. The concert image is an in-copyright editorial reference; Artologium grants no reuse license for it.",
      "evidence": [
        {
          "sourceId": "the-poster-that-came-back:phillips",
          "locator": "PDF p. 41: JOB’s identification, the later poster and Mouse’s library account. PDF p. 13: poster credit and copyright notice. The museum’s image permission is not an Artologium license."
        }
      ]
    },
    {
      "id": "the-poster-that-came-back-library",
      "text": "The Phillips exhibition text quotes Mouse recalling his discovery of Mucha through library art books.",
      "kind": "acknowledged-reference",
      "status": "attributed",
      "limitation": "A retrospective account does not identify a particular book or establish every step in making this poster.",
      "evidence": [
        {
          "sourceId": "the-poster-that-came-back:phillips",
          "locator": "PDF p. 41: JOB’s identification, the later poster and Mouse’s library account. PDF p. 13: poster credit and copyright notice. The museum’s image permission is not an Artologium license."
        }
      ]
    },
    {
      "id": "the-poster-that-came-back-edition",
      "text": "Georgetown identifies its concert poster as a third printing; the Mucha Foundation distinguishes the 1896 JOB design from a second design made in 1898.",
      "kind": "catalogue-fact",
      "status": "documented",
      "limitation": "Design date, printing and object identity remain separate. Georgetown’s linked JOB record is not assumed to identify the same design.",
      "evidence": [
        {
          "sourceId": "the-poster-that-came-back:georgetown",
          "locator": "Accession 2015.49.7, third printing; source of the displayed 600 × 852 reference. Its linked 1898 JOB record must not be assumed identical to the displayed 1896 design."
        },
        {
          "sourceId": "the-poster-that-came-back:foundation",
          "locator": "1896 design identification and distinction from the second JOB design made in 1898."
        }
      ]
    }
  ],
  "sources": [
    {
      "id": "the-poster-that-came-back:phillips",
      "title": "The Phillips Collection: Timeless Mucha, exhibition text and checklist (2025)",
      "author": "The Phillips Collection",
      "url": "https://www.phillipscollection.org/sites/default/files/2025-05/timeless-mucha-digital-press-kit.pdf#page=41",
      "kind": "institutional-account",
      "language": "en",
      "locator": "PDF p. 41: JOB’s identification, the later poster and Mouse’s library account. PDF p. 13: poster credit and copyright notice. The museum’s image permission is not an Artologium license.",
      "supports": "PDF p. 41: JOB’s identification, the later poster and Mouse’s library account. PDF p. 13: poster credit and copyright notice. The museum’s image permission is not an Artologium license.",
      "limitation": "This is a documented adaptation with an original visual reading. It is not proof that one poster caused a social movement. The concert image is an in-copyright editorial reference; Artologium grants no reuse license for it.",
      "checked": "2026-10-17",
      "verification": {
        "checked": "2026-10-17",
        "method": "catalogue-pdf",
        "note": "Relevant source passage checked in the institutional PDF; catalogue reproductions remain subject to their own image rights."
      }
    },
    {
      "id": "the-poster-that-came-back:georgetown",
      "title": "Georgetown University Library: Jim Kweskin Jug Band, Avalon Ballroom",
      "author": "Georgetown University Library",
      "url": "https://library.georgetown.edu/exhibition/item/jim-kweskin-jug-band-avalon-ballroom",
      "kind": "institutional-account",
      "language": "en",
      "locator": "Accession 2015.49.7, third printing; source of the displayed 600 × 852 reference. Its linked 1898 JOB record must not be assumed identical to the displayed 1896 design.",
      "supports": "Accession 2015.49.7, third printing; source of the displayed 600 × 852 reference. Its linked 1898 JOB record must not be assumed identical to the displayed 1896 design.",
      "limitation": "This is a documented adaptation with an original visual reading. It is not proof that one poster caused a social movement. The concert image is an in-copyright editorial reference; Artologium grants no reuse license for it.",
      "checked": "2026-10-17",
      "verification": {
        "checked": "2026-10-17",
        "method": "source-text",
        "note": "Relevant source text and its stated object, date or license fields were inspected; this does not imply independent specialist review."
      }
    },
    {
      "id": "the-poster-that-came-back:foundation",
      "title": "Mucha Foundation: Poster for JOB cigarette paper (1896)",
      "author": "Mucha Foundation",
      "url": "https://www.muchafoundation.org/en/gallery/browse-works/object/44",
      "kind": "institutional-account",
      "language": "en",
      "locator": "1896 design identification and distinction from the second JOB design made in 1898.",
      "supports": "1896 design identification and distinction from the second JOB design made in 1898.",
      "limitation": "This is a documented adaptation with an original visual reading. It is not proof that one poster caused a social movement. The concert image is an in-copyright editorial reference; Artologium grants no reuse license for it.",
      "checked": "2026-10-17",
      "verification": {
        "checked": "2026-10-17",
        "method": "source-text",
        "note": "Relevant source text and its stated object, date or license fields were inspected; this does not imply independent specialist review."
      }
    },
    {
      "id": "the-poster-that-came-back:job-image",
      "title": "Wikimedia Commons: JOB",
      "author": "Wikimedia Commons",
      "url": "https://commons.wikimedia.org/wiki/File:Mucha-job.jpg",
      "kind": "institutional-account",
      "language": "en",
      "locator": "Source of the displayed JOB reproduction and its public-domain designation.",
      "supports": "Source of the displayed JOB reproduction and its public-domain designation.",
      "limitation": "This is a documented adaptation with an original visual reading. It is not proof that one poster caused a social movement. The concert image is an in-copyright editorial reference; Artologium grants no reuse license for it.",
      "checked": "2026-10-17",
      "verification": {
        "checked": "2026-10-17",
        "method": "source-text",
        "note": "Relevant source text and its stated object, date or license fields were inspected; this does not imply independent specialist review."
      }
    }
  ],
  "sections": [
    {
      "id": "passage",
      "title": "The library is part of the artwork’s afterlife.",
      "voice": "Historical account",
      "paragraphs": [
        "The Phillips Collection’s exhibition text identifies Mucha’s JOB as an 1896 advertisement for cigarette papers and pairs it with the Jim Kweskin Jug Band poster for the Avalon Ballroom concerts of 7–8 October 1966. It includes Mouse’s account of studying poster history in library books and discovering Mucha there.",
        "That account gives the resemblance a documented route: an earlier design, its reproduction in a book, and a later designer looking for ideas. The original print did not have to travel into the studio for its lines to become available to another artist."
      ],
      "claimIds": [
        "the-poster-that-came-back-scope",
        "the-poster-that-came-back-library"
      ],
      "sourceIds": [
        "the-poster-that-came-back:phillips"
      ]
    },
    {
      "id": "looking",
      "title": "The borrowed figure is a structure, not a quotation mark.",
      "voice": "Close reading",
      "paragraphs": [
        "The figure takes up so much of both sheets that she organizes the encounter before the lettering can be read. Hair is unusually important here. It describes a body, but also spills into the space around that body, making a network of curves for the eye to follow. In each image, the boundary between a person and ornament becomes difficult to keep still.",
        "The later poster preserves that visual engine while changing the surrounding divisions. Its upper lettering and lower concert information frame the figure as the centre of an event announcement. In JOB, the company letters are themselves part of the ornamental field. The two designs distribute attention differently even where the contour remains recognizable.",
        "Notice the colour without treating it as a universal code. We can describe the contrast between green hair and an orange-red ground. We cannot recover every concertgoer’s feelings from those hues, or assume that an unfamiliar colour produces the same response in every viewer."
      ],
      "claimIds": [
        "the-poster-that-came-back-scope"
      ]
    },
    {
      "id": "public-life",
      "title": "A different destination for the same seduction.",
      "voice": "Context & interpretation",
      "paragraphs": [
        "Both works are advertisements. The change is therefore more specific than an escape from commerce into freedom: a motif moves between different products, settings and audiences. A borrowed image can retain its ability to attract attention while being recruited for another social occasion.",
        "The pairing invites a question about cultural memory. How much of the earlier advertisement must a viewer recognize for the later image to work? Someone can read the concert information without knowing Mucha. Someone who does recognize the figure encounters an additional layer: the pleasure, surprise or discomfort of seeing an existing image put to work again.",
        "That is our interpretation of the encounter, rather than evidence of a measured public response. The documented result is the adaptation itself. Claims about changes in public attitudes would need contemporary reviews, audience testimony or other reception evidence."
      ],
      "claimIds": [
        "the-poster-that-came-back-scope"
      ],
      "sourceIds": [
        "the-poster-that-came-back:phillips",
        "the-poster-that-came-back:georgetown"
      ]
    },
    {
      "id": "versions",
      "title": "A design has editions; a comparison has limits.",
      "voice": "Historical account",
      "paragraphs": [
        "Georgetown identifies its example as a third printing. We use it to examine the composition, while keeping that object history visible. It should not be silently treated as a photograph of a poster on an Avalon Ballroom wall in 1966.",
        "Georgetown links to a JOB record dated 1898. The Mucha Foundation distinguishes the 1896 design from a second, larger JOB poster made in 1898. Our displayed image follows the 1896 identification shared by the Foundation and Phillips. A shared title is not enough to establish that two records describe the same design."
      ],
      "claimIds": [
        "the-poster-that-came-back-scope",
        "the-poster-that-came-back-edition"
      ],
      "sourceIds": [
        "the-poster-that-came-back:georgetown",
        "the-poster-that-came-back:phillips",
        "the-poster-that-came-back:foundation"
      ]
    }
  ],
  "treatment": {
    "kind": "legacy",
    "invitation": "Look at the two complete images without reading their lettering. Then read every name and date you can make out. Describe one thing the figure carries across and one thing that only the new text can tell you.",
    "stops": [
      {
        "id": "observation-0",
        "label": "Close reading",
        "title": "A pose persists",
        "text": "Compare the tilted face, lifted forearm and cigarette. These specific correspondences are more useful than a general impression of an Art Nouveau style.",
        "claimIds": [
          "the-poster-that-came-back-scope"
        ]
      },
      {
        "id": "observation-1",
        "label": "Close reading",
        "title": "Colour changes the temperature",
        "text": "Golden hair becomes green against a warm red-orange field. The contour is familiar, while the colour relationships make the figure feel newly strange.",
        "claimIds": [
          "the-poster-that-came-back-scope"
        ]
      },
      {
        "id": "observation-2",
        "label": "Close reading",
        "title": "Lettering changes the invitation",
        "text": "JOB’s large monogram gives way to performers, a venue and dates. Read the image once as a figure, then again as something asking you to act.",
        "claimIds": [
          "the-poster-that-came-back-scope"
        ]
      }
    ]
  },
  "reception": {
    "reach": "A 1966 concert advertisement is paired with JOB in the Phillips exhibition account. Circulation totals for this printing are not established.",
    "response": "Mouse’s retrospective library recollection supplies an artist’s account of discovery, rather than concertgoer testimony.",
    "consequence": "The adaptation changes the advertised occasion. The sources do not establish a poster causing a social movement."
  },
  "review": {
    "checked": "2026-10-17",
    "research": "source-checked",
    "independent": "pending",
    "assistance": "Source verification and prose revised with AI assistance. Independent specialist review remains pending.",
    "editorial": {
      "checked": "2026-10-17",
      "method": "AI-assisted source and prose review",
      "focus": "A borrowed figure changes its invitation; books and printings remain part of the passage.",
      "changes": [
        "Recorded owner-authorized editorial publication and updated the image disclosure; no reuse license or third-party clearance is asserted. Historical claims and source verification are unchanged.",
        "Checked the Phillips wall text and Georgetown printing record.",
        "Distinguished the two JOB designs through the Mucha Foundation instead of treating the title/date mismatch as proof of one misdated design.",
        "Separated the artist’s recollection, adaptation and edition claims."
      ]
    }
  },
  "revisions": [
    {
      "version": "the-poster-that-came-back.1",
      "date": "2026-10-17",
      "note": "Migrated into the shared dossier registry. Existing authored text, objects, image decisions and qualifications retained."
    },
    {
      "version": "the-poster-that-came-back.2",
      "date": "2026-10-17",
      "note": "Checked the Phillips wall text and Georgetown printing record. Distinguished the two JOB designs through the Mucha Foundation instead of treating the title/date mismatch as proof of one misdated design. Separated the artist’s recollection, adaptation and edition claims."
    },
    {
      "version": "the-poster-that-came-back.3",
      "date": "2026-10-25",
      "note": "Recorded owner-authorized editorial publication and updated the image disclosure; no reuse license or third-party clearance is asserted. Historical claims and source verification are unchanged. Checked the Phillips wall text and Georgetown printing record. Distinguished the two JOB designs through the Mucha Foundation instead of treating the title/date mismatch as proof of one misdated design. Separated the artist’s recollection, adaptation and edition claims."
    }
  ],
  "next": [
    "an-animal-made-of-reports"
  ],
  "summary": "The later poster adapts the figure from JOB. The library account documents a route of discovery; it does not identify the particular book Mouse used.",
  "canonical": "https://artologium.com/essays/the-poster-that-came-back",
  "releaseStatus": "Local review edition; editorially revised with AI assistance; independent specialist review pending",
  "socialPreview": "Canonical investigation card. Selected passage is preserved in the URL and export, not pictured in the card.",
  "media": [
    {
      "key": "journal:job",
      "title": "JOB",
      "creator": "Alphonse Mucha",
      "date": "1896",
      "institution": "Wikimedia Commons",
      "accession": "Mucha-job.jpg",
      "sourceUrl": "https://commons.wikimedia.org/wiki/File:Mucha-job.jpg",
      "sourceImage": "https://upload.wikimedia.org/wikipedia/commons/d/df/Mucha-job.jpg",
      "license": "Public Domain",
      "licenseUrl": "https://creativecommons.org/publicdomain/mark/1.0/",
      "rightsSource": "https://commons.wikimedia.org/wiki/File:Mucha-job.jpg#Licensing",
      "creditLine": "Faithful reproduction of a public-domain print; source recorded by Wikimedia Commons.",
      "alt": "A woman with flowing golden hair holds a cigarette in front of the letters JOB, surrounded by an ornamental border.",
      "rightsStatus": "open",
      "changes": "Resized; thumbnail details are labeled. The full image remains available.",
      "src": "/images/journal/job.jpg",
      "width": 1022,
      "height": 1349,
      "sha256": "ea441bebb06c3cb4a37e318215c7f14f873654f1bcfc279a59b6153a7f082622",
      "sourceSha256": "2fa689959637b0b467cf594cf3b1cc543abef5fac98ff8f917185612fb40b6e7",
      "retrieved": "2026-10-17T22:14:52.495Z",
      "displayVariants": [
        {
          "src": "/images/journal/job-320.jpg",
          "width": 320,
          "height": 422,
          "sha256": "fdc17c0c692fb98c83ece22feee4a1ddf57304f5b6b3ca3b1cf8f740151946c8"
        },
        {
          "src": "/images/journal/job-640.jpg",
          "width": 640,
          "height": 845,
          "sha256": "32c2ec9e9bf88764724a2b6a8589cf2f3168054c8356f492a89a68665e732f46"
        }
      ],
      "displayCrop": null
    },
    {
      "key": "journal:poster",
      "title": "Jim Kweskin Jug Band, Avalon Ballroom",
      "creator": "Alton Kelley and Stanley Mouse",
      "date": "1966",
      "institution": "Georgetown University Library",
      "accession": "2015.49.7 · Third printing",
      "sourceUrl": "https://library.georgetown.edu/exhibition/item/jim-kweskin-jug-band-avalon-ballroom",
      "sourceImage": "https://library.georgetown.edu/sites/default/files/styles/medium_600px/public/2023-03/2015.49.7_0.jpg?itok=hrpUb7cd",
      "license": "In copyright · editorial reference",
      "licenseUrl": null,
      "rightsSource": "https://library.georgetown.edu/copyright",
      "creditLine": "Georgetown University Library, Fairchild Endowment Fund purchase, 2015.49.7 (third printing). Artwork copyright is stated by the Phillips Collection as © 1966, 1984, 1994 Rhino Entertainment Company. All rights reserved.",
      "alt": "A green-haired figure adapted from Mucha appears on a red concert poster for the Jim Kweskin Jug Band at the Avalon Ballroom.",
      "rightsStatus": "publication-review-required",
      "changes": "Complete 600-pixel library reference image, JPEG recompressed. No recoloring. Displayed as an editorial reference alongside analysis of the adaptation.",
      "src": "/images/journal/poster.jpg",
      "width": 600,
      "height": 852,
      "sha256": "0dd1d56be8beddd68472b3fa234db7c120cc942e1aecc6d57c8b9fe76faff43a",
      "sourceSha256": "48b9de9a2db23bb32288fc9d999b29d45d72369dca22e64633435336884cba04",
      "retrieved": "2026-10-17T22:14:52.573Z",
      "displayVariants": [],
      "displayCrop": null
    }
  ]
}