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Sculpture

Virgin of the Immaculate Conception

Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741). 1710–20. Wood. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

Virgin of the Immaculate ConceptionAntonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741) · 1710–20The Art Institute of Chicago · CC0
Image & source
Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Sculpture / Source record

Virgin of the Immaculate Conception

Read the catalogue and evidence →
Maker
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)
Date
1710–20
Medium
Wood
Collection
The Art Institute of Chicago
Accession
1959.173
Credit
Decorative Arts Purchase Fund
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

SculptureObject type

Sculpture is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Sculpture” in its object type field. This label was normalized by the documented import rule.

Sculpture

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WoodMaterial

Wood is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Wood; wood (plant material); plant material; gesso; organic material; paint” in its medium/materials field. This label was normalized by the documented import rule.

Wood; wood (plant material); plant material; gesso; organic material; paint

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

CarvingTechnique

Carving is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Wood; sculpting; carving; painting; painting (coating); painting techniques; sculpture techniques; woodworking” in its medium/techniques field. This label was normalized by the documented import rule.

Wood; sculpting; carving; painting; painting (coating); painting techniques; sculpture techniques; woodworking

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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Artologium reading

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.