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Sculpture

Veranda Post (Òpó Ògògá)

Olowe of Ise (died 1938) Yòrùbá: Èkìtì; Ikere, Nigeria Coastal West Africa. 1910-14. Wood and pigment. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

Veranda Post (Òpó Ògògá)Olowe of Ise (died 1938) Yòrùbá: Èkìtì; Ikere, Nigeria Coastal West Africa · 1910-14The Art Institute of Chicago · CC0
Image & source
Wooden sculpture of seated king surrounded by family.

Sculpture / Source record

Veranda Post (Òpó Ògògá)

Read the catalogue and evidence →
Maker
Olowe of Ise (died 1938) Yòrùbá: Èkìtì; Ikere, Nigeria Coastal West Africa
Date
1910-14
Medium
Wood and pigment
Collection
The Art Institute of Chicago
Accession
1984.550
Credit
The Art Institute of Chicago, Major Acquisitions Centennial Fund
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

Ways into this work

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Catalogue knowledge

Normalized from the museum’s record.

SculptureObject type

Sculpture is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Sculpture” in its object type field. This label was normalized by the documented import rule.

Sculpture

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WoodMaterial

Wood is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Wood and pigment; wood (plant material); pigment” in its medium/materials field. This label was normalized by the documented import rule.

Wood and pigment; wood (plant material); pigment

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

CarvingTechnique

Carving is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Wood and pigment; carving; sculpting; painting (coating)” in its medium/techniques field. This label was normalized by the documented import rule.

Wood and pigment; carving; sculpting; painting (coating)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Human-figureSubject

Human-figure is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “women” in its subjects field. This label was normalized by the documented import rule.

women

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.