Drawing and Watercolor
Bishop at Mass in a Historiated Initial "P" from a Choirbook
French or possibly southern Netherlandish follower of Master Honoré (French, flourished 1288-1300). c. 1300. Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
A record, with reasons
Ways into this work
Open a description to see its meaning and evidence, or follow it into the collection.
Catalogue knowledge
Normalized from the museum’s record.
Drawing and WatercolorObject type
Drawing and Watercolor is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Drawing and Watercolor” in its object type field. This label was normalized by the documented import rule.
Drawing and Watercolor
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
InkMaterial
Ink recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment” in its medium/materials field. This label was normalized by the documented import rule.
Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
GoldMaterial
Gold is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment” in its medium/materials field. This label was normalized by the documented import rule.
Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
ParchmentMaterial
Parchment is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment” in its medium/materials field. This label was normalized by the documented import rule.
Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
TemperaTechnique
Tempera is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment” in its medium/techniques field. This label was normalized by the documented import rule.
Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic book hand, verso, in black ink, on parchment
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.


