Artologium
← Back to your results

Ceramics

Oil or Vinegar Cruet

Meissen Porcelain Manufactory (1710–present) Model by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775) Meissen, Electorate of Saxony (now Germany). c. 1737. Enameled and gilded hard-paste porcelain. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

Oil or Vinegar CruetMeissen Porcelain Manufactory (1710–present) Model by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775) Meissen, Electorate of Saxony (now Germany) · c. 1737The Art Institute of Chicago · CC0
Image & source
Porcelain vessel of woman riding rooster with elaborate plumage.

Ceramics / Source record

Oil or Vinegar Cruet

Read the catalogue and evidence →
Maker
Meissen Porcelain Manufactory (1710–present) Model by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775) Meissen, Electorate of Saxony (now Germany)
Date
c. 1737
Medium
Enameled and gilded hard-paste porcelain
Collection
The Art Institute of Chicago
Accession
1998.504a-b
Credit
Gift of Mr. and Mrs. Samuel Grober in honor of Ian Wardropper and Ghenete Zelleke through the Antiquarian Society
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

Ways into this work

Open a description to see its meaning and evidence, or follow it into the collection.

Catalogue knowledge

Normalized from the museum’s record.

CeramicsObject type

Ceramics is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Ceramics” in its object type field. This label was normalized by the documented import rule.

Ceramics

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PorcelainMaterial

Porcelain is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Enameled and gilded hard-paste porcelain; hard-paste porcelain; porcelain; ceramic; inorganic material” in its medium/materials field. This label was normalized by the documented import rule.

Enameled and gilded hard-paste porcelain; hard-paste porcelain; porcelain; ceramic; inorganic material

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Human-figureSubject

Human-figure is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “women” in its subjects field. This label was normalized by the documented import rule.

women

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.