Painting
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec (French, 1864–1901). 1887–88. Oil on canvas. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
Follow the maker / Across collections & investigations
Henri de Toulouse-Lautrec across 2 collections
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to Henri de Toulouse-Lautrec while keeping workshop, studio, or “after” attributions distinct.
- Monsieur Boileau at the CaféThe Cleveland Museum of Art · 1893 · 1925.1409 · Compare side by side →
- May BelfortThe Cleveland Museum of Art · 1895 · 1958.54 · Compare side by side →
- The LaundressThe Cleveland Museum of Art · 1888 · 1952.113 · Compare side by side →
- At the Moulin RougeThe Art Institute of Chicago · 1892–95 · 1928.610 · Compare side by side →
Related Afterlives investigations involving Henri de Toulouse-Lautrec
- The poster that came back psychedelic.The later poster adapts the figure from JOB. The library account documents a route of discovery; it does not identify the particular book Mouse used.
A record, with reasons
Ways into this work
Open a description to see its meaning and evidence, or follow it into the collection.
Catalogue knowledge
Normalized from the museum’s record.
PaintingObject type
Painting is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Painting” in its object type field. This label was normalized by the documented import rule.
Painting
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
CanvasMaterial
Canvas is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Oil on canvas; oil paint (paint); painting; paint; canvas” in its medium/materials field. This label was normalized by the documented import rule.
Oil on canvas; oil paint (paint); painting; paint; canvas
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Oil paintMaterial
Oil paint is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Oil on canvas; oil paint (paint); painting; paint; canvas” in its medium/materials field. This label was normalized by the documented import rule.
Oil on canvas; oil paint (paint); painting; paint; canvas
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Oil PaintingTechnique
Oil Painting is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Oil on canvas; oil painting; painting techniques; painting (image making); painting” in its medium/techniques field. This label was normalized by the documented import rule.
Oil on canvas; oil painting; painting techniques; painting (image making); painting
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Human-figureSubject
Human-figure is a subject named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “men; women” in its subjects field. This label was normalized by the documented import rule.
men; women
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
Keep something. Change the setting.
Follow a connection
A shared description opens a comparison. It does not establish historical influence.
