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Painting

The Annunciation

Jean Hey (Master of Moulins; Netherlandish, c. 1480-c.1504). 1490–95. Oil on panel. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

The AnnunciationJean Hey (Master of Moulins; Netherlandish, c. 1480-c.1504) · 1490–95The Art Institute of Chicago · CC0
Image & source
Painting of the Annunciation, dove flying above Mary with angel.

Painting / Source record

The Annunciation

Read the catalogue and evidence →
Maker
Jean Hey (Master of Moulins; Netherlandish, c. 1480-c.1504)
Date
1490–95
Medium
Oil on panel
Collection
The Art Institute of Chicago
Accession
1933.1062
Credit
Mr. and Mrs. Martin A. Ryerson Collection
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

PaintingObject type

Painting is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Painting” in its object type field. This label was normalized by the documented import rule.

Painting

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WoodMaterial

Wood is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Oil on panel; oil paint (paint); organic material; paint; painting; plant material; wood (plant material); panel (wood)” in its medium/materials field. This label was normalized by the documented import rule.

Oil on panel; oil paint (paint); organic material; paint; painting; plant material; wood (plant material); panel (wood)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil paintMaterial

Oil paint is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Oil on panel; oil paint (paint); organic material; paint; painting; plant material; wood (plant material); panel (wood)” in its medium/materials field. This label was normalized by the documented import rule.

Oil on panel; oil paint (paint); organic material; paint; painting; plant material; wood (plant material); panel (wood)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil PaintingTechnique

Oil Painting is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Oil on panel; painting (image making); oil painting; painting; painting techniques; panel painting” in its medium/techniques field. This label was normalized by the documented import rule.

Oil on panel; painting (image making); oil painting; painting; painting techniques; panel painting

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

BirdsSubject

Birds is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “birds” in its subjects field. This label was normalized by the documented import rule.

birds

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

ArchitectureSubject

Buildings or architectural spaces represented in the image.

Subject identification does not establish symbolic meaning or historical influence.

The Art Institute of Chicago supplies “architecture” in its subjects field. This label was normalized by the documented import rule.

architecture

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Human-figureSubject

Human-figure is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “women” in its subjects field. This label was normalized by the documented import rule.

women

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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Artologium reading

Authored connections, open to interpretation.

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.