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Textile

Fragment

Probably Granada, Spain. Nasrid dynasty (1230–1492), late 15th century. Silk, lampas technique; warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and patterning and self-patterning wefts;. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

FragmentProbably Granada, Spain · Nasrid dynasty (1230–1492), late 15th centuryThe Art Institute of Chicago · CC0
Image & source
Red silk with plant inspired design in green, white, and yellow.

Textile / Source record

Fragment

Read the catalogue and evidence →
Maker
Probably Granada, Spain
Date
Nasrid dynasty (1230–1492), late 15th century
Medium
Silk, lampas technique; warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and patterning and self-patterning wefts;
Collection
The Art Institute of Chicago
Accession
2007.17
Credit
Purchased with funds provided by the Textile Society; Mrs. Julian Armstrong Jr.; Barbara E. and Richard J. Franke Fund, and the Nicole Williams Contemporary Textile Fund
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Open a description to see its meaning and evidence, or follow it into the collection.

Catalogue knowledge

Normalized from the museum’s record.

TextileObject type

An object classified as a textile.

A picture of cloth is not a textile object.

The Art Institute of Chicago supplies “Textile” in its object type field. This label was normalized by the documented import rule.

Textile

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

SilkMaterial

Silk recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Silk, lampas technique; warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and patterning and self-patterning wefts;; silk (textile)” in its medium/materials field. This label was normalized by the documented import rule.

Silk, lampas technique; warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and patterning and self-patterning wefts;; silk (textile)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WeavingTechnique

Weaving is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Silk, lampas technique; warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and patterning and self-patterning wefts;; lampas; satin weaving; warp patterning; weft patterning” in its medium/techniques field. This label was normalized by the documented import rule.

Silk, lampas technique; warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and patterning and self-patterning wefts;; lampas; satin weaving; warp patterning; weft patterning

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.