The Marriage of the Virgin
Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659) after Peter Paul Rubens (Flemish, 1577-1640). 1625/59, printed after 1750. Engraving in black on ivory wove paper. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
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PrintObject type
An image produced through a printing process.
The depicted subject does not determine the object type.
The Art Institute of Chicago supplies “Print” in its object type field. This label was normalized by the documented import rule.
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Engraving in black on ivory wove paper; paper (fiber product)” in its medium/materials field. This label was normalized by the documented import rule.
Engraving in black on ivory wove paper; paper (fiber product)
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
EngravingTechnique
Engraving identified in the source medium.
Do not infer a process solely from visual resemblance.
The Art Institute of Chicago supplies “Engraving in black on ivory wove paper” in its medium/techniques field. This label was normalized by the documented import rule.
Engraving in black on ivory wove paper
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
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