Joseph Sold by his Brothers
Master of the Die (Italian, active c. 1530-1560) after Raffaello Sanzio, called Raphael (Italian, 1483-1520). 1533. Engraving, printed in black, on paper. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
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Catalogue knowledge
Normalized from the museum’s record.
PrintObject type
An image produced through a printing process.
The depicted subject does not determine the object type.
The Art Institute of Chicago supplies “Print” in its object type field. This label was normalized by the documented import rule.
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Engraving, printed in black, on paper; paper (fiber product)” in its medium/materials field. This label was normalized by the documented import rule.
Engraving, printed in black, on paper; paper (fiber product)
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
EngravingTechnique
Engraving identified in the source medium.
Do not infer a process solely from visual resemblance.
The Art Institute of Chicago supplies “Engraving, printed in black, on paper; engraving (printing process); printing” in its medium/techniques field. This label was normalized by the documented import rule.
Engraving, printed in black, on paper; engraving (printing process); printing
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
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Artologium reading
Authored connections, open to interpretation.
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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
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A shared description opens a comparison. It does not establish historical influence.
