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Coverings and Hangings

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

After a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels. c. 1650. Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of OdysseusAfter a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels · c. 1650The Art Institute of Chicago · CC0
Image & source
A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameter: 0.8–1.0 mm weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–1.2 mm.

Coverings and Hangings / Source record

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

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Maker
After a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels
Date
c. 1650
Medium
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm
Collection
The Art Institute of Chicago
Accession
1890.8
Credit
Gift of Charles J. Singer through the Antiquarian Society
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

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Coverings and HangingsObject type

Coverings and Hangings is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Coverings and Hangings” in its object type field. This label was normalized by the documented import rule.

Coverings and Hangings

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

SilkMaterial

Silk recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm; wool (hair); silk (fiber)” in its medium/materials field. This label was normalized by the documented import rule.

Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm; wool (hair); silk (fiber)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WoolMaterial

Wool is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm; wool (hair); silk (fiber)” in its medium/materials field. This label was normalized by the documented import rule.

Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm; wool (hair); silk (fiber)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WeavingTechnique

Weaving is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm; slit tapestry weaving; tapestry weaving” in its medium/techniques field. This label was normalized by the documented import rule.

Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm; slit tapestry weaving; tapestry weaving

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.