Furniture
Wall Clock
Case by Jean-Pierre Latz (born Cologne [now Germany], active France, 1691–1754) Clockwork by Francis Bayley (active Austrian Netherlands [now Belgium], mid-1700s) Case: Paris; clock: Ghent, Flanders, Austrian Netherlands (now Belgium). c. 1735–40. Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
A record, with reasons
Ways into this work
Open a description to see its meaning and evidence, or follow it into the collection.
Catalogue knowledge
Normalized from the museum’s record.
FurnitureObject type
Furniture is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Furniture” in its object type field. This label was normalized by the documented import rule.
Furniture
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
BronzeMaterial
Bronze is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass; glass” in its medium/materials field. This label was normalized by the documented import rule.
Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass; glass
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
GlassMaterial
Glass is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass; glass” in its medium/materials field. This label was normalized by the documented import rule.
Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass; glass
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
BrassMaterial
Brass is a material named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass; glass” in its medium/materials field. This label was normalized by the documented import rule.
Oak, tortoiseshell, kingwood, brass, gilded bronze, and glass; glass
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Human-figureSubject
Human-figure is a subject named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “men” in its subjects field. This label was normalized by the documented import rule.
men
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.


