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Drawing and Watercolor

Panorama from the Sasso

Claude Lorrain French, 1600-1682. 1649/1655. Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

Panorama from the SassoClaude Lorrain French, 1600-1682 · 1649/1655The Art Institute of Chicago · CC0
Image & source
Brown toned drawing of figure seated on low wall, vast countryside in background.

Drawing and Watercolor / Source record

Panorama from the Sasso

Read the catalogue and evidence →
Maker
Claude Lorrain French, 1600-1682
Date
1649/1655
Medium
Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper
Collection
The Art Institute of Chicago
Accession
1980.190
Credit
Helen Regenstein Collection
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Open a description to see its meaning and evidence, or follow it into the collection.

Catalogue knowledge

Normalized from the museum’s record.

Drawing and WatercolorObject type

Drawing and Watercolor is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Drawing and Watercolor” in its object type field. This label was normalized by the documented import rule.

Drawing and Watercolor

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

InkMaterial

Ink recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GraphiteMaterial

Graphite recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

ChalkMaterial

Chalk recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; ink; wash; gouache; watercolor; paint; graphite; black chalk; chalk; white chalk; laid paper; paper (fiber product)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

DrawingTechnique

Drawing is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; painting (image making); drawing (image-making)” in its medium/techniques field. This label was normalized by the documented import rule.

Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper; painting (image making); drawing (image-making)

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

LandscapeSubject

Landscape is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “landscapes” in its subjects field. This label was normalized by the documented import rule.

landscapes

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PlantsSubject

Visible plant forms in the image.

Subject identification does not establish symbolic meaning or historical influence.

The Art Institute of Chicago supplies “trees” in its subjects field. This label was normalized by the documented import rule.

trees

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.