Drawing and Watercolor
Seated Female Nude
Rembrandt van Rijn Dutch, 1606-1669. 1660/62. Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
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Rembrandt van Rijn across 2 collections
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to Rembrandt van Rijn while keeping workshop, studio, or “after” attributions distinct.
- Tobias Healing His Father's BlindnessThe Cleveland Museum of Art · c. 1640–45 · 1969.69 · Compare side by side →
- Shah JahanThe Cleveland Museum of Art · c. 1656–61 · 1978.38 · Compare side by side →
- Old Man with a Gold ChainThe Art Institute of Chicago · 1631 · 1922.4467 · Compare side by side →
- Three Oriental Figures (Jacob and Laban?)The Art Institute of Chicago · 1641 · 1887.462 · Compare side by side →
Workshop, studio, or “after” attributions (kept separate)
- Portrait of a WomanRecorded as: Rembrandt van Rijn (Dutch, 1606–1669); and Studio · The Cleveland Museum of Art
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Catalogue knowledge
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Drawing and WatercolorObject type
Drawing and Watercolor is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Drawing and Watercolor” in its object type field. This label was normalized by the documented import rule.
Drawing and Watercolor
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card; paper (fiber product); brown ink; colored ink; ink; brown wash; wash; laid paper” in its medium/materials field. This label was normalized by the documented import rule.
Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card; paper (fiber product); brown ink; colored ink; ink; brown wash; wash; laid paper
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
InkMaterial
Ink recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card; paper (fiber product); brown ink; colored ink; ink; brown wash; wash; laid paper” in its medium/materials field. This label was normalized by the documented import rule.
Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card; paper (fiber product); brown ink; colored ink; ink; brown wash; wash; laid paper
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
WatercolourTechnique
Watercolour is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card; painting (image making); drawing (image-making)” in its medium/techniques field. This label was normalized by the documented import rule.
Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card; painting (image making); drawing (image-making)
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Human-figureSubject
Human-figure is a subject named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “women” in its subjects field. This label was normalized by the documented import rule.
women
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
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