Drawing
Design for a Painted Porcelain Plate, Les Compotes et Marmelades (Compotes and Marmalades) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French, 1783 - 1849; Sèvres Porcelain Manufactory, French, established 1756. 1819–20. Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink. Explore the catalogue record, image rights and documented connections from Cooper Hewitt, Smithsonian Design Museum.
A record, with reasons
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Catalogue knowledge
Normalized from the museum’s record.
DrawingObject type
A work described as a drawing in the source record.
A visible line alone does not make an object a drawing.
Cooper Hewitt, Smithsonian Design Museum supplies “Drawing” in its object type field. This label was normalized by the documented import rule.
Drawing
Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
Cooper Hewitt, Smithsonian Design Museum supplies “Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink” in its medium/materials field. This label was normalized by the documented import rule.
Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink
Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
InkMaterial
Ink recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
Cooper Hewitt, Smithsonian Design Museum supplies “Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink” in its medium/materials field. This label was normalized by the documented import rule.
Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink
Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
GraphiteMaterial
Graphite recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
Cooper Hewitt, Smithsonian Design Museum supplies “Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink” in its medium/materials field. This label was normalized by the documented import rule.
Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink
Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
DrawingTechnique
Drawing is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
Cooper Hewitt, Smithsonian Design Museum supplies “Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink” in its medium/techniques field. This label was normalized by the documented import rule.
Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, circular border in pen and brown ink
Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
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Artologium reading
Authored connections, open to interpretation.
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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
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