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Sampler

Sampler

Mary Beech. ca. 1738. Medium: linen, silk Technique: embroidered in cross-stitch and satin stitch. Explore the catalogue record, image rights and documented connections from Cooper Hewitt, Smithsonian Design Museum.

SamplerMary Beech · ca. 1738Cooper Hewitt, Smithsonian Design Museum · CC0
Image & source
Sampler — Sampler by Mary Beech. Medium: linen, silk Technique: embroidered in cross-stitch and satin stitch.

Sampler / Source record

Sampler

Read the catalogue and evidence →
Maker
Mary Beech
Date
ca. 1738
Medium
Medium: linen, silk Technique: embroidered in cross-stitch and satin stitch
Collection
Cooper Hewitt, Smithsonian Design Museum
Accession
2002-26-2
Credit
Gift of Myra M. and William H. Mathers
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

Ways into this work

Open a description to see its meaning and evidence, or follow it into the collection.

Catalogue knowledge

Normalized from the museum’s record.

SamplerObject type

Sampler is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

Cooper Hewitt, Smithsonian Design Museum supplies “Sampler” in its object type field. This label was normalized by the documented import rule.

Sampler

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

SilkMaterial

Silk recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

Cooper Hewitt, Smithsonian Design Museum supplies “Medium: linen, silk” in its medium/materials field. This label was normalized by the documented import rule.

Medium: linen, silk

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

LinenMaterial

Linen is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

Cooper Hewitt, Smithsonian Design Museum supplies “Medium: linen, silk” in its medium/materials field. This label was normalized by the documented import rule.

Medium: linen, silk

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

EmbroideryTechnique

Embroidery is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

Cooper Hewitt, Smithsonian Design Museum supplies “Medium: linen, silk Technique: embroidered in cross-stitch and satin stitch” in its medium/techniques field. This label was normalized by the documented import rule.

Medium: linen, silk Technique: embroidered in cross-stitch and satin stitch

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.