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Portrait Miniature

Portrait of Sandford Peacocke

William Wood (British, c. 1768–1809). 1801. watercolor on ivory in a gold frame with glazed reverse. Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.

Portrait of Sandford PeacockeWilliam Wood (British, c. 1768–1809) · 1801The Cleveland Museum of Art · CC0
Image & source
Portrait of Sandford Peacocke — Portrait Miniature by William Wood (British, c. 1768–1809). watercolor on ivory in a gold frame with glazed reverse.

Portrait Miniature / Source record

Portrait of Sandford Peacocke

Read the catalogue and evidence →
Maker
William Wood (British, c. 1768–1809)
Date
1801
Medium
watercolor on ivory in a gold frame with glazed reverse
Collection
The Cleveland Museum of Art
Accession
1942.1159
Credit
The Edward B. Greene Collection
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

Portrait MiniatureObject type

Portrait Miniature is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “Portrait Miniature” in its object type field. This label was normalized by the documented import rule.

Portrait Miniature

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GoldMaterial

Gold is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “watercolor on ivory in a gold frame with glazed reverse” in its medium/materials field. This label was normalized by the documented import rule.

watercolor on ivory in a gold frame with glazed reverse

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

IvoryMaterial

Ivory is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “watercolor on ivory in a gold frame with glazed reverse” in its medium/materials field. This label was normalized by the documented import rule.

watercolor on ivory in a gold frame with glazed reverse

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WatercolourTechnique

Watercolour is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “watercolor on ivory in a gold frame with glazed reverse” in its medium/techniques field. This label was normalized by the documented import rule.

watercolor on ivory in a gold frame with glazed reverse

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.