Artologium
← Back to your results

Drawing

Head of a Tahitian Woman

Paul Gauguin (French, 1848–1903). 1891. graphite with stumping and graphite wash on parchment. Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.

Head of a Tahitian WomanPaul Gauguin (French, 1848–1903) · 1891The Cleveland Museum of Art · CC0
Image & source
Head of a Tahitian Woman — Drawing by Paul Gauguin (French, 1848–1903). graphite with stumping and graphite wash on parchment.

Drawing / Source record

Head of a Tahitian Woman

Read the catalogue and evidence →
Maker
Paul Gauguin (French, 1848–1903)
Date
1891
Medium
graphite with stumping and graphite wash on parchment
Collection
The Cleveland Museum of Art
Accession
1949.439
Credit
Mr. and Mrs. Lewis B. Williams Collection
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

Ways into this work

Open a description to see its meaning and evidence, or follow it into the collection.

Catalogue knowledge

Normalized from the museum’s record.

DrawingObject type

A work described as a drawing in the source record.

A visible line alone does not make an object a drawing.

The Cleveland Museum of Art supplies “Drawing” in its object type field. This label was normalized by the documented import rule.

Drawing

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GraphiteMaterial

Graphite recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Cleveland Museum of Art supplies “graphite with stumping and graphite wash on parchment; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.

graphite with stumping and graphite wash on parchment; [object Object]

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

ParchmentMaterial

Parchment is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “graphite with stumping and graphite wash on parchment; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.

graphite with stumping and graphite wash on parchment; [object Object]

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

DrawingTechnique

Drawing is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “graphite with stumping and graphite wash on parchment” in its medium/techniques field. This label was normalized by the documented import rule.

graphite with stumping and graphite wash on parchment

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.