![1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]](/images/catalogue/chndm-chndm-1901-39-151-b-goose-and-duck-hunt-with-falcons-above-right-goose-hunt-below-rig-a58c3cfd8765.jpg)
Drawing
Fountain with Two Tritons Blowing Conch Shells
François Boucher (French, 1703–1770). c. 1736. Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper. Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.
This work in Pattern studies & Motif passages
Examine its pattern, process or motif.
- Compare in Pattern study: A design acquires a body.Catalogue comparison · A drawing by François Boucher in Cleveland’s collection, showing his two-dimensional graphic line before workshop translation into porcelain.
Follow the maker / Across collections & investigations
François Boucher (French, 1703–1770) across 1 collection
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to François Boucher (French, 1703–1770) while keeping workshop, studio, or “after” attributions distinct.
- The Presentation in the TempleThe Cleveland Museum of Art · c. 1770 · 1925.1005 · Compare side by side →
Browse all 2 works by François Boucher (French, 1703–1770) →
A record, with reasons
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Catalogue knowledge
Normalized from the museum’s record.
DrawingObject type
A work described as a drawing in the source record.
A visible line alone does not make an object a drawing.
The Cleveland Museum of Art supplies “Drawing” in its object type field. This label was normalized by the documented import rule.
Drawing
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper; [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
ChalkMaterial
Chalk recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper; [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
DrawingTechnique
Drawing is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Cleveland Museum of Art supplies “Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper” in its medium/techniques field. This label was normalized by the documented import rule.
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
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A shared description opens a comparison. It does not establish historical influence.
