Drawing
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678). c. 1645–47. Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge). Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.
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Jacob Jordaens (Flemish, 1593–1678) across 1 collection
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to Jacob Jordaens (Flemish, 1593–1678) while keeping workshop, studio, or “after” attributions distinct.
- The Conversion of Saul with Christ and the CrossThe Cleveland Museum of Art · c. 1645–47 · 1954.367 · Compare side by side →
A record, with reasons
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Catalogue knowledge
Normalized from the museum’s record.
DrawingObject type
A work described as a drawing in the source record.
A visible line alone does not make an object a drawing.
The Cleveland Museum of Art supplies “Drawing” in its object type field. This label was normalized by the documented import rule.
Drawing
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
InkMaterial
Ink recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge); [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge); [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
GraphiteMaterial
Graphite recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge); [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge); [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
ChalkMaterial
Chalk recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge); [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge); [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
WatercolourTechnique
Watercolour is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Cleveland Museum of Art supplies “Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)” in its medium/techniques field. This label was normalized by the documented import rule.
Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
DrawingTechnique
Drawing is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Cleveland Museum of Art supplies “Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)” in its medium/techniques field. This label was normalized by the documented import rule.
Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
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A shared description opens a comparison. It does not establish historical influence.
