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Drawing

Standing Officer Holding a Boar's Spear

Hendrick Goltzius (Dutch, 1558–1617). 1586. Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer. Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.

Standing Officer Holding a Boar's SpearHendrick Goltzius (Dutch, 1558–1617) · 1586The Cleveland Museum of Art · CC0
Image & source
Standing Officer Holding a Boar's Spear — Drawing by Hendrick Goltzius (Dutch, 1558–1617). Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer.

Drawing / Source record

Standing Officer Holding a Boar's Spear

Read the catalogue and evidence →
Maker
Hendrick Goltzius (Dutch, 1558–1617)
Date
1586
Medium
Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer
Collection
The Cleveland Museum of Art
Accession
1994.195
Credit
Leonard C. Hanna Jr. Fund
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

DrawingObject type

A work described as a drawing in the source record.

A visible line alone does not make an object a drawing.

The Cleveland Museum of Art supplies “Drawing” in its object type field. This label was normalized by the documented import rule.

Drawing

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Cleveland Museum of Art supplies “Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer; [object Object]

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

InkMaterial

Ink recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Cleveland Museum of Art supplies “Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer; [object Object]

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

ChalkMaterial

Chalk recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Cleveland Museum of Art supplies “Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.

Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer; [object Object]

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WatercolourTechnique

Watercolour is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer” in its medium/techniques field. This label was normalized by the documented import rule.

Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

DrawingTechnique

Drawing is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer” in its medium/techniques field. This label was normalized by the documented import rule.

Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.