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Arms and Armor

Half Armor for the Foot Tournament

Pompeo della Cesa (Italian, active 1572–93). c. 1590. etched and gilded steel, brass rivets, leather and velvet fittings. Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.

Half Armor for the Foot TournamentPompeo della Cesa (Italian, active 1572–93) · c. 1590The Cleveland Museum of Art · CC0
Image & source
Half Armor for the Foot Tournament — Arms and Armor by Pompeo della Cesa (Italian, active 1572–93). etched and gilded steel, brass rivets, leather and velvet fittings.

Arms and Armor / Source record

Half Armor for the Foot Tournament

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Maker
Pompeo della Cesa (Italian, active 1572–93)
Date
c. 1590
Medium
etched and gilded steel, brass rivets, leather and velvet fittings
Collection
The Cleveland Museum of Art
Accession
1996.299
Credit
John L. Severance Fund
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

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Catalogue knowledge

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Arms and ArmorObject type

Arms and Armor is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “Arms and Armor” in its object type field. This label was normalized by the documented import rule.

Arms and Armor

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

LeatherMaterial

Leather is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “etched and gilded steel, brass rivets, leather and velvet fittings” in its medium/materials field. This label was normalized by the documented import rule.

etched and gilded steel, brass rivets, leather and velvet fittings

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

BrassMaterial

Brass is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “etched and gilded steel, brass rivets, leather and velvet fittings” in its medium/materials field. This label was normalized by the documented import rule.

etched and gilded steel, brass rivets, leather and velvet fittings

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

SteelMaterial

Steel is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Cleveland Museum of Art supplies “etched and gilded steel, brass rivets, leather and velvet fittings” in its medium/materials field. This label was normalized by the documented import rule.

etched and gilded steel, brass rivets, leather and velvet fittings

Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.