![1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]](/images/catalogue/chndm-chndm-1901-39-151-b-goose-and-duck-hunt-with-falcons-above-right-goose-hunt-below-rig-a58c3cfd8765.jpg)
Drawing
The Seed Received among the Thorns, from the Parable of the Sower
Gerard P. van Groningen (Netherlandish, active late 1500s). c. 1573. Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer. Explore the catalogue record, image rights and documented connections from The Cleveland Museum of Art.
A record, with reasons
Ways into this work
Open a description to see its meaning and evidence, or follow it into the collection.
Catalogue knowledge
Normalized from the museum’s record.
DrawingObject type
A work described as a drawing in the source record.
A visible line alone does not make an object a drawing.
The Cleveland Museum of Art supplies “Drawing” in its object type field. This label was normalized by the documented import rule.
Drawing
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer; [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
InkMaterial
Ink recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer; [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
ChalkMaterial
Chalk recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Cleveland Museum of Art supplies “Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer; [object Object]” in its medium/materials field. This label was normalized by the documented import rule.
Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer; [object Object]
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
DrawingTechnique
Drawing is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Cleveland Museum of Art supplies “Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer” in its medium/techniques field. This label was normalized by the documented import rule.
Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer
Catalogue: The Cleveland Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
Keep something. Change the setting.
Follow a connection
A shared description opens a comparison. It does not establish historical influence.
