Artologium
← Back to your results

Painting

An Orange Note: Sweet Shop

James McNeill Whistler (1834-1903). 1883 or 1884. Oil on wood panel. Explore the catalogue record, image rights and documented connections from National Museum of Asian Art.

A maker across collections.

Whistler: the plate after printing. →
An Orange Note: Sweet ShopJames McNeill Whistler (1834-1903) · 1883 or 1884National Museum of Asian Art · CC0
Image & source
Oil painting

Painting / Source record

An Orange Note: Sweet Shop

Read the catalogue and evidence →
Maker
James McNeill Whistler (1834-1903)
Date
1883 or 1884
Medium
Oil on wood panel
Collection
National Museum of Asian Art
Accession
F1904.315a-c
Credit
Gift of Charles Lang Freer
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

Ways into this work

Open a description to see its meaning and evidence, or follow it into the collection.

Catalogue knowledge

Normalized from the museum’s record.

PaintingObject type

Painting is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Painting” in its object type field. This label was normalized by the documented import rule.

Painting

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

WoodMaterial

Wood is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Oil on wood panel” in its medium/materials field. This label was normalized by the documented import rule.

Oil on wood panel

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil paintMaterial

Oil paint is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Oil on wood panel” in its medium/materials field. This label was normalized by the documented import rule.

Oil on wood panel

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil PaintingTechnique

Oil Painting is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Oil on wood panel” in its medium/techniques field. This label was normalized by the documented import rule.

Oil on wood panel

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.