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Painting

Waves at Matsushima 松島図屏風

Tawaraya Sotatsu 俵屋宗達 (fl. ca. 1600-1643). 17th century. Ink, color, gold, and silver on paper. Explore the catalogue record, image rights and documented connections from National Museum of Asian Art.

Waves at Matsushima 松島図屏風Tawaraya Sotatsu 俵屋宗達 (fl. ca. 1600-1643) · 17th centuryNational Museum of Asian Art · CC0
Image & source
Screens (six-panel)

Painting / Source record

Waves at Matsushima 松島図屏風

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Maker
Tawaraya Sotatsu 俵屋宗達 (fl. ca. 1600-1643)
Date
17th century
Medium
Ink, color, gold, and silver on paper
Collection
National Museum of Asian Art
Accession
F1906.231-232
Credit
Gift of Charles Lang Freer
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

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Catalogue knowledge

Normalized from the museum’s record.

PaintingObject type

Painting is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Painting” in its object type field. This label was normalized by the documented import rule.

Painting

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

National Museum of Asian Art supplies “Ink, color, gold, and silver on paper” in its medium/materials field. This label was normalized by the documented import rule.

Ink, color, gold, and silver on paper

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

InkMaterial

Ink recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

National Museum of Asian Art supplies “Ink, color, gold, and silver on paper” in its medium/materials field. This label was normalized by the documented import rule.

Ink, color, gold, and silver on paper

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GoldMaterial

Gold is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Ink, color, gold, and silver on paper” in its medium/materials field. This label was normalized by the documented import rule.

Ink, color, gold, and silver on paper

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

SilverMaterial

Silver is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Museum of Asian Art supplies “Ink, color, gold, and silver on paper” in its medium/materials field. This label was normalized by the documented import rule.

Ink, color, gold, and silver on paper

Catalogue: National Museum of Asian Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

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Artologium reading

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Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.