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Painting

Johann I (1468–1532), the Constant, Elector of Saxony

Workshop of Lucas Cranach the Elder. 1532–33. Oil on canvas, transferred from wood, with letterpress-printed paper labels. Explore the catalogue record, image rights and documented connections from The Metropolitan Museum of Art.

Johann I (1468–1532), the Constant, Elector of SaxonyWorkshop of Lucas Cranach the Elder · 1532–33The Metropolitan Museum of Art · CC0
Image & source
Johann I (1468–1532), the Constant, Elector of Saxony — Painting by Workshop of Lucas Cranach the Elder. Oil on canvas, transferred from wood, with letterpress-printed paper labels.

Painting / Source record

Johann I (1468–1532), the Constant, Elector of Saxony

Read the catalogue and evidence →
Maker
Workshop of Lucas Cranach the Elder
Date
1532–33
Medium
Oil on canvas, transferred from wood, with letterpress-printed paper labels
Collection
The Metropolitan Museum of Art
Accession
71.128
Credit
Purchase, 1871
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

PaintingObject type

Painting is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Painting” in its object type field. This label was normalized by the documented import rule.

Painting

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Metropolitan Museum of Art supplies “Oil on canvas, transferred from wood, with letterpress-printed paper labels” in its medium/materials field. This label was normalized by the documented import rule.

Oil on canvas, transferred from wood, with letterpress-printed paper labels

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

CanvasMaterial

Canvas is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on canvas, transferred from wood, with letterpress-printed paper labels” in its medium/materials field. This label was normalized by the documented import rule.

Oil on canvas, transferred from wood, with letterpress-printed paper labels

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil paintMaterial

Oil paint is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on canvas, transferred from wood, with letterpress-printed paper labels” in its medium/materials field. This label was normalized by the documented import rule.

Oil on canvas, transferred from wood, with letterpress-printed paper labels

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil PaintingTechnique

Oil Painting is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on canvas, transferred from wood, with letterpress-printed paper labels” in its medium/techniques field. This label was normalized by the documented import rule.

Oil on canvas, transferred from wood, with letterpress-printed paper labels

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PortraitSubject

Portrait is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Portraits” in its subjects field. This label was normalized by the documented import rule.

Portraits

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Human-figureSubject

Human-figure is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Men” in its subjects field. This label was normalized by the documented import rule.

Men

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.