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Painting

Philip IV (1605–1665) in Parade Armor

Gaspar de Crayer. ca. 1628. Oil on canvas. Explore the catalogue record, image rights and documented connections from The Metropolitan Museum of Art.

Philip IV (1605–1665) in Parade ArmorGaspar de Crayer · ca. 1628The Metropolitan Museum of Art · CC0
Image & source
Philip IV (1605–1665) in Parade Armor — Painting by Gaspar de Crayer. Oil on canvas.

Painting / Source record

Philip IV (1605–1665) in Parade Armor

Read the catalogue and evidence →
Maker
Gaspar de Crayer
Date
ca. 1628
Medium
Oil on canvas
Collection
The Metropolitan Museum of Art
Accession
45.128.14
Credit
Bequest of Helen Hay Whitney, 1944
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

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PaintingObject type

Painting is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Painting” in its object type field. This label was normalized by the documented import rule.

Painting

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

CanvasMaterial

Canvas is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on canvas” in its medium/materials field. This label was normalized by the documented import rule.

Oil on canvas

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil paintMaterial

Oil paint is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on canvas” in its medium/materials field. This label was normalized by the documented import rule.

Oil on canvas

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil PaintingTechnique

Oil Painting is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on canvas” in its medium/techniques field. This label was normalized by the documented import rule.

Oil on canvas

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PortraitSubject

Portrait is a subject named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Portraits” in its subjects field. This label was normalized by the documented import rule.

Portraits

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.