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Painting

Capriccio with a Circular Tower, Two Houses, and a Bridge

Follower of Francesco Guardi. 18th century. Oil on paper, laid down on Masonite. Explore the catalogue record, image rights and documented connections from The Metropolitan Museum of Art.

Capriccio with a Circular Tower, Two Houses, and a BridgeFollower of Francesco Guardi · 18th centuryThe Metropolitan Museum of Art · CC0
Image & source
Capriccio with a Circular Tower, Two Houses, and a Bridge — Painting by Follower of Francesco Guardi. Oil on paper, laid down on Masonite.

Painting / Source record

Capriccio with a Circular Tower, Two Houses, and a Bridge

Read the catalogue and evidence →
Maker
Follower of Francesco Guardi
Date
18th century
Medium
Oil on paper, laid down on Masonite
Collection
The Metropolitan Museum of Art
Accession
1975.1.92
Credit
Robert Lehman Collection, 1975
Rights
Public domain · CC0

Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

PaintingObject type

Painting is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Painting” in its object type field. This label was normalized by the documented import rule.

Painting

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Metropolitan Museum of Art supplies “Oil on paper, laid down on Masonite” in its medium/materials field. This label was normalized by the documented import rule.

Oil on paper, laid down on Masonite

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil paintMaterial

Oil paint is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on paper, laid down on Masonite” in its medium/materials field. This label was normalized by the documented import rule.

Oil on paper, laid down on Masonite

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Oil PaintingTechnique

Oil Painting is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Metropolitan Museum of Art supplies “Oil on paper, laid down on Masonite” in its medium/techniques field. This label was normalized by the documented import rule.

Oil on paper, laid down on Masonite

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

BoatsSubject

Visible boats in the represented scene.

Subject identification does not establish symbolic meaning or historical influence.

The Metropolitan Museum of Art supplies “Boats” in its subjects field. This label was normalized by the documented import rule.

Boats

Catalogue: The Metropolitan Museum of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.