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Volume

Oeuvre de J. B. Le Prince Sur les Moeurs, les Coutumes et les Habillemens de différents Peuples, Gravé en partie à l'Eau Forte et le reste par le procédé qu'il a inventé pour produire l'effet des Desseins lavés

Jean-Baptiste Le Prince. in or after 1770. Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]. Explore the catalogue record, image rights and documented connections from National Gallery of Art.

Oeuvre de J. B. Le Prince Sur les Moeurs, les Coutumes et les Habillemens de différents Peuples, Gravé en partie à l'Eau Forte et le reste par le procédé qu'il a inventé pour produire l'effet des Desseins lavésJean-Baptiste Le Prince · in or after 1770National Gallery of Art · CC0
Image & source
Oeuvre de J. B. Le Prince Sur les Moeurs, les Coutumes et les Habillemens de différents Peuples, Gravé en partie à l'Eau Forte et le reste par le procédé qu'il a inventé pour produire l'effet des Desseins lavés — Volume by Jean-Baptiste Le Prince. Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)].

Volume / Source record

Oeuvre de J. B. Le Prince Sur les Moeurs, les Coutumes et les Habillemens de différents Peuples, Gravé en partie à l'Eau Forte et le reste par le procédé qu'il a inventé pour produire l'effet des Desseins lavés

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Maker
Jean-Baptiste Le Prince
Date
in or after 1770
Medium
Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]
Collection
National Gallery of Art
Accession
1942.9.1639.1-53
Credit
Widener Collection. Courtesy National Gallery of Art, Washington
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified 1000px IIIF display image; smaller responsive JPEGs are resized derivatives. Visit the institution for other available resolutions. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

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VolumeObject type

Volume is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Gallery of Art supplies “Volume” in its object type field. This label was normalized by the documented import rule.

Volume

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

National Gallery of Art supplies “Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]” in its medium/materials field. This label was normalized by the documented import rule.

Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

EtchingTechnique

Etching identified in the source medium.

Do not infer a process solely from visual resemblance.

National Gallery of Art supplies “Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]” in its medium/techniques field. This label was normalized by the documented import rule.

Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

EngravingTechnique

Engraving identified in the source medium.

Do not infer a process solely from visual resemblance.

National Gallery of Art supplies “Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]” in its medium/techniques field. This label was normalized by the documented import rule.

Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Not yet assessed.

Artologium reading

Authored connections, open to interpretation.

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.