Volume
Oeuvre de J. B. Le Prince Sur les Moeurs, les Coutumes et les Habillemens de différents Peuples, Gravé en partie à l'Eau Forte et le reste par le procédé qu'il a inventé pour produire l'effet des Desseins lavés
Jean-Baptiste Le Prince. in or after 1770. Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]. Explore the catalogue record, image rights and documented connections from National Gallery of Art.
A record, with reasons
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Open a description to see its meaning and evidence, or follow it into the collection.
Catalogue knowledge
Normalized from the museum’s record.
VolumeObject type
Volume is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
National Gallery of Art supplies “Volume” in its object type field. This label was normalized by the documented import rule.
Volume
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
National Gallery of Art supplies “Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]” in its medium/materials field. This label was normalized by the documented import rule.
Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
EtchingTechnique
Etching identified in the source medium.
Do not infer a process solely from visual resemblance.
National Gallery of Art supplies “Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]” in its medium/techniques field. This label was normalized by the documented import rule.
Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
EngravingTechnique
Engraving identified in the source medium.
Do not infer a process solely from visual resemblance.
National Gallery of Art supplies “Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]” in its medium/techniques field. This label was normalized by the documented import rule.
Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)]
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.


