![Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country) — Portfolio by Francisco Goya. etching, burnished aquatint and drypoint [first edition impression].](/images/catalogue/nga-4767-modo-con-que-los-antiguos-espanoles-cazaban-los-toros-a-caballo-e-06fd7b646ca6.jpg)
Portfolio
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)
Francisco Goya. in or before 1816. etching, burnished aquatint, lavis, drypoint and burin [first edition impression]. Explore the catalogue record, image rights and documented connections from National Gallery of Art.
Follow the maker / Across collections & investigations
Francisco Goya across 2 collections
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to Francisco Goya while keeping workshop, studio, or “after” attributions distinct.
- Boy on a RamThe Art Institute of Chicago · 1786–87 · 1979.479 · Compare side by side →
- Friar Pedro Shoots El Maragato as His Horse Runs OffThe Art Institute of Chicago · c. 1806 · 1933.1075 · Compare side by side →
- Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)National Gallery of Art · in or before 1816 · 1943.3.1620 · Compare side by side →
- Otro modo de cazar a pie (Another Way of Hunting on Foot)National Gallery of Art · in or before 1816 · 1943.3.1621 · Compare side by side →
A record, with reasons
Ways into this work
Open a description to see its meaning and evidence, or follow it into the collection.
Catalogue knowledge
Normalized from the museum’s record.
PortfolioObject type
Portfolio is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
National Gallery of Art supplies “Portfolio” in its object type field. This label was normalized by the documented import rule.
Portfolio
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
EtchingTechnique
Etching identified in the source medium.
Do not infer a process solely from visual resemblance.
National Gallery of Art supplies “etching, burnished aquatint, lavis, drypoint and burin [first edition impression]” in its medium/techniques field. This label was normalized by the documented import rule.
etching, burnished aquatint, lavis, drypoint and burin [first edition impression]
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
DrypointTechnique
Drypoint identified in the source medium.
Do not infer a process solely from visual resemblance.
National Gallery of Art supplies “etching, burnished aquatint, lavis, drypoint and burin [first edition impression]” in its medium/techniques field. This label was normalized by the documented import rule.
etching, burnished aquatint, lavis, drypoint and burin [first edition impression]
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Human-figureSubject
Human-figure is a subject named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
National Gallery of Art supplies “Figures” in its subjects field. This label was normalized by the documented import rule.
Figures
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Visual observation
Observations of the displayed image.
Not yet assessed.
Artologium reading
Authored connections, open to interpretation.
Not yet assessed.
These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
Keep something. Change the setting.
Follow a connection
A shared description opens a comparison. It does not establish historical influence.
![Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open) — Portfolio by Francisco Goya. etching, burnished aquatint, drypoint and burin [first edition impression].](/images/catalogue/nga-4770-los-moros-establecidos-en-espana-prescindiendo-de-las-supersticio-9d2c50c8411b.jpg)
![Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring) — Portfolio by Francisco Goya. etching, burnished aquatint and drypoint [first edition impression].](/images/catalogue/nga-4775-cogida-de-un-moro-estando-en-la-plaza-a-moor-caught-by-the-bull-i-8b91039c59c3.jpg)