Battle of the Sea Gods [right half]
Andrea Mantegna. before 1481. engraving on laid paper. Explore the catalogue record, image rights and documented connections from National Gallery of Art.
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Andrea Mantegna across 1 collection
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to Andrea Mantegna while keeping workshop, studio, or “after” attributions distinct.
- Bacchanal with a Wine VatNational Gallery of Art · before 1481 · 1941.1.5 · Compare side by side →
- Battle of the Sea Gods [left half]National Gallery of Art · before 1481 · 1941.1.6 · Compare side by side →
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PrintObject type
An image produced through a printing process.
The depicted subject does not determine the object type.
National Gallery of Art supplies “Print” in its object type field. This label was normalized by the documented import rule.
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
National Gallery of Art supplies “engraving on laid paper” in its medium/materials field. This label was normalized by the documented import rule.
engraving on laid paper
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
EngravingTechnique
Engraving identified in the source medium.
Do not infer a process solely from visual resemblance.
National Gallery of Art supplies “engraving on laid paper” in its medium/techniques field. This label was normalized by the documented import rule.
engraving on laid paper
Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
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