Betrayal of Christ, from The Engraved Passion

An image produced through a printing process.

The depicted subject does not determine the object type.

Cooper Hewitt, Smithsonian Design Museum supplies “Print” in its object type field. This label was normalized by the documented import rule.

Print

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

Cooper Hewitt, Smithsonian Design Museum supplies “Engraving on laid paper” in its medium/materials field. This label was normalized by the documented import rule.

Engraving on laid paper

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Engraving identified in the source medium.

Do not infer a process solely from visual resemblance.

Cooper Hewitt, Smithsonian Design Museum supplies “Engraving on laid paper” in its medium/techniques field. This label was normalized by the documented import rule.

Engraving on laid paper

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visible folds, pleats, or draped cloth forms that structure the image.

This observation belongs to the selected image; it does not establish the maker's intention.

Dürer's engraved lines turn the cloaks of the crowding figures into sharp,faceted planes.

Visual observation by Artologium on the selected image asset.
Reviewed 2026-10-24 · 2026-10-20.1