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Drawing

Design for Writing Table No. 2 and Lion-Paw Feet

A.N. Davenport Co.. 1900–05. Graphite on thin cream paper. Explore the catalogue record, image rights and documented connections from Cooper Hewitt, Smithsonian Design Museum.

Design for Writing Table No. 2 and Lion-Paw FeetA.N. Davenport Co. · 1900–05Cooper Hewitt, Smithsonian Design Museum · CC0
Image & source
DESIGN FOR WRITING TABLE NO. 2 AND LION-PAW FEET

Drawing / Source record

Design for Writing Table No. 2 and Lion-Paw Feet

Read the catalogue and evidence →
Maker
A.N. Davenport Co.
Date
1900–05
Medium
Graphite on thin cream paper
Collection
Cooper Hewitt, Smithsonian Design Museum
Accession
2000-69-310
Credit
Gift of The Lake St. Louis Historical Society
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

Ways into this work

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Catalogue knowledge

Normalized from the museum’s record.

DrawingObject type

A work described as a drawing in the source record.

A visible line alone does not make an object a drawing.

Cooper Hewitt, Smithsonian Design Museum supplies “Drawing” in its object type field. This label was normalized by the documented import rule.

Drawing

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

Cooper Hewitt, Smithsonian Design Museum supplies “Graphite on thin cream paper” in its medium/materials field. This label was normalized by the documented import rule.

Graphite on thin cream paper

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GraphiteMaterial

Graphite recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

Cooper Hewitt, Smithsonian Design Museum supplies “Graphite on thin cream paper” in its medium/materials field. This label was normalized by the documented import rule.

Graphite on thin cream paper

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

DrawingTechnique

Drawing is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

Cooper Hewitt, Smithsonian Design Museum supplies “Graphite on thin cream paper” in its medium/techniques field. This label was normalized by the documented import rule.

Graphite on thin cream paper

Catalogue: Cooper Hewitt, Smithsonian Design Museum. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

Following a lineComposition

A line or edge that can be followed through the selected image.

This observation belongs to the selected image; it does not establish the maker's intention.

The sheet pairs straight measured construction lines with curved freehand details on the same page.

Visual observation by Artologium on the selected image asset.
Reviewed 2026-10-24 · 2026-10-20.1

Artologium reading

Authored connections, open to interpretation.

Not yet assessed.

These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.

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A line can be carved into a woodblock, incised into copper, drawn in black chalk, or ruled in graphite for a cabinetmaker. These six works across four museums ask your eye to move along a mark before asking what it represents.